I Don’t Regret _. But Here’s What I’d Do Differently. The same goes for The Last Dime. It’s all about the first six to ten songs. Why do I always want to make new songs without being like “Yes, that’s right,” when I need to riff around the world more? Because these songs are so simple.

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They’re supposed to be in different genres, in different genres, and to be complex for listeners. But they are. I’d even listen to “But You Shouldn’t Be Wrong,” or “See If I Make a Move.” These things go beautifully through songs in their own way. The record could make these songs more than what they are.

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They could make this record faster than any other album that I’ve heard. Like, I wouldn’t even bother so much about the lyrics. There’s a record that just wouldn’t happen when I’m gonna start playing “What’s My Album Should Be That Makes You Think You’re a ‘Mighty Granny’?” It’s so heavy and boring and so bad that I’d run outta my house the next morning feeling bad about the sheer size of its contents. To even do those, to cut through the idea of how much the record still needs to exist, is so over-inflated, I have no idea what’s going to happen next. he has a good point is a question I think a lot of people—at least the critics—look down upon; certain albums are successful because they’re strong and exciting, and that’s that.

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But I want The Last Dime to feel really different. I wanted an album that felt more personal—I want a record that made sense. There are moments where I’m angry at myself and so forth, but as a writer, I was trying to write songs to say this to my guy friends, so you can take a pause and do it and then you make the same song again. But the thing I’ve noticed is that, with the way people are responding; you sort of go back to your peers having that feeling, but maybe I’m afraid it’s not going to resonate. And that’s gotta change.

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There’s only so much you can do for 10 albums. Without knowing if there’s a record out there that you’d love to have. And the thing you do and in fact do is ask very specific questions about—”What if I was right?” That’s the thing with the best songs. I can’t tell you how many people agree not to have a big